Items where Subject is "N Fine Arts > ND Painting"

Article

Barber, Craig (2014) Pictorial Slippage. The International Journal of Arts Theory and History, 8 (2). pp. 69-78. ISSN 2326-9952

Barber, Craig and Spackman, Andrew (2016) The Habsburgs: Alter Egos and Disciplinary Sidesteps. Message Journal, 3 (3/6). pp. 57-84.

Camp, Shaun and Foster, Karl (2018) Hollowed-out genring as a way of purposefully embracing troublesome knowledge: orientation and de-orientation in the learning and teaching of Fine Art. Journal of Writing in Creative Practice, 11 (1). pp. 99-120. ISSN ISSN: 17535190, Online ISSN: 17535204

Fijalkowski, Krzysztof (2017) Cubomania: Gherasim Luca and Non-Oedipal Collage. Dada/Surrealism, 20 (1). ISSN 0084-9537 (Print) 2372-6725 (Online)

Pointon, Marcia (2017) Enduring Characteristics and Unstable Hues: Men in Black in French painting in the 1860s and 1870s. Art History, 40 (4). pp. 744-769. ISSN Online ISSN: 1467-8365; Print ISSN: 0141-6790

Powell, Neil (2017) Colori: 14 Mar — 23 Jul 2017 at the Castello di Rivoli Museo d’Arte Contemporanea in Rivoli, Italy. Wall Street International.

Powell, Neil (2017) Colour Me Bad. Wall Street International.

Powell, Neil (2015) Cracked Actors Recent works by David Hockney on exhibit in London and California. Wall Street International.

Powell, Neil (2016) Laughing but not Cavalier Notes on the work and wit of Hans-Peter Feldmann. Wall Street International.

Book Section

Fijalkowski, Krzysztof (1999) Dada and Surrealism in Central and Eastern Europe. In: A Companion to Dada and Surrealism. John Wiley & Sons, UK. ISBN Print ISBN: 9781118476185 Online ISBN: 9781118476215

Fijalkowski, Krzysztof (2014) Ghérasim Luca : « le désir désiré ». In: « Infra-noir », un et multiple Un groupe surréaliste entre Bucarest et Paris, 1945–1947. Peter Lang, Oxford, UK. ISBN 978-3-0353-9843-4

Fijalkowski, Krzysztof (2014) Janus Virus. In: What Will Be / Ce qui sera - Lo que sera. Brumes Blondes hors serie . Brumes Blondes, Bloemendal, Netherlands, pp. 459-461. ISBN 9789077414446

Horton, Sarah and Longworth-West, Sarah (2017) “10 + EXTEND”: how can we teach painting to students who already think they know what painting is? In: Teaching Painting: How Can Painting Be Taught in Art Schools? Black Dog Publishing, London, UK, pp. 58-63. ISBN 978-1911164104

Morris, Lynda (2014) The Impersonal Eye of the Camera. In: Bare Life. Hirmer Publishers, Munich, Germany. ISBN 978-3-7774-2254-1

Pointon, Marcia (2017) The importance of gems in the work of Peter Paul Rubens 1577-1640. In: Engraved Gems: From antiquity to the present (Papers on Archaeology of the Leiden Museum of Antiquities). Sidestone Press, pp. 99-111. ISBN 9789088905056

Conference or Workshop Item

Rowe, Carl (2000) Feast: Collaboration between Norwich University of the Arts and Wysing Arts Centre. In: FOR, ABOUT, NEARBY: The value of diversity and difference in Fine Art practice, research and education, 13-15 September 2017, London, United Kingdom. (Unpublished)

Show/Exhibition

Powell, Neil (2017) Hans-Peter Feldmann 'Art Exhibition'. [Show/Exhibition]

Other

Fijalkowski, Krzysztof (2015) Joyland. Paul Digby.

Fijalkowski, Krzysztof, Ades, Dawn and Richardson, Michael (1999) The Surrealism Reader: An Anthology of Ideas. Tate Publishing, London, United Kingdom.

Morris, Lynda (2018) The Company of Craftsmen and Women. Louisiana Museum. (In Press)